Keith Christmas

Exploring "Fable Of The Wings" by Keith Christmas

Released in 1970, "Fable Of The Wings" is the second studio album from English singer-songwriter Keith Christmas. The album was released under B & C Records with the catalog number CAS 1015. It showcases a blend of progressive folk and rock elements, encapsulated within a uniquely textured sleeve that distinguishes it from typical releases of the time.

Recording and Production

The album was recorded at Sound Techniques in Chelsea, London, with production handled by Sandy Roberton. The recording session brought together a remarkable ensemble of musicians from the British folk-rock scene. Notable contributions came from Keith Tippett, a celebrated avant-garde jazz pianist known for his work with King Crimson and Centipede. Tippett's acoustic grand piano adds a distinct flavor to the album's sound. Shelagh McDonald, an influential figure in the acid-folk movement, lends her voice on the track "The Fawn."

The rhythm section features Gerry Conway and Pat Donaldson, both prominent members of the Fotheringay band. Additional contributions from Ian Whiteman, Mike Evans, and Roger Powell, all associated with Mighty Baby, further enrich the album's arrangements. The inclusion of Bob Stewart on autoharp provides additional texture to the overall sound.

Musical Themes and Style

"Fable Of The Wings" elevates traditional English acoustic folk music by integrating elements of progressive rock. The album features intricate 12-string guitar work, lush Mellotron washes, and poetic lyrics that explore various themes. The opening track, "Waiting For The Wind To Rise," sets the tone with its sweeping melodies. The ethereal "The Fawn," featuring Shelagh McDonald, showcases a delicate interplay of vocals and instrumentation.

The expansive "Lorri" stands out as an 8-minute acoustic ballad, illustrating Keith Christmas's songwriting depth. Other tracks like "Kent Lullaby" and "Hamlin" contribute to the album's diverse sound palette. The title track, "Fable Of The Wings," encapsulates the album's essence, while "Bednotch" offers a more jaunty conclusion.

Technical Details

The sound engineering for the album was managed by Jerry Boys, ensuring high-quality production standards. The textured sleeve design further enhances the physical appeal of the vinyl release. "Fable Of The Wings" remains a significant entry in the catalog of British folk-rock from the early 1970s, reflecting the rich musical landscape of its time.