Charge!
Paladin's "Charge!" is the second and final studio album from the British progressive rock quintet, released in May 1972 under Bronze Records. The album features a striking gatefold cover designed by Roger Dean, showcasing a surreal biomechanical horse. This artwork complements the album's ambitious sound, which draws from various genres including hard rock, jazz-rock, and Latin influences.
The album was recorded at Apple Studios in London between December 1971 and January 1972. Renowned sound engineer Geoff Emerick, known for his work with The Beatles, handled the engineering. Philamore Lincoln produced the album, ensuring a polished sound that highlights the band's musical intricacies.
"Charge!" consists of seven tracks that combine complex arrangements with diverse instrumentation. The opening track, "Give Me Your Hand," stretches for 7:49 and sets a progressive tone. It is followed by "Well We Might" and the energetic "Get One Together." The album also features "Good Lord," a hard-driving piece, and the ethereal "Mix Your Mind With The Moonbeams." The closing track, "Watching The World Pass By," is an ambitious 9:33-minute composition that encapsulates the band's multifaceted approach.
The band's lineup includes Peter Solley on Hammond organ, piano, electric violin, and vocals; Lou Stonebridge on electric piano, harmonica, and lead vocals; Derek Foley on lead electric and slide guitars; Peter Beckett on bass guitar; and Keith Webb on drums. Each member contributed to the writing process, showcasing their collaborative spirit.
The album's cover art by Roger Dean is a highlight, reflecting his unique style and ability to create immersive visuals. The illustration of the biomechanical horse captures the essence of the music within, merging fantasy with a sense of motion and energy.
Paladin's "Charge!" was released as a vinyl LP in a gatefold format, catalog number ILPS 9190. The album was produced in the UK, specifically at Apple Studios, which is located on Savile Row in London. This setting played a crucial role in shaping the album's sound, given its historical significance in music production.
| A1 | Give Me Your Hand Written-By – P. Solley* | 7:49 |
| A2 | Well We Might Written-By – P. Solley* | 5:02 |
| A3 | Get One Together Written-By – K. Webb* | 2:35 |
| A4 | Anyway Written-By – P. Solley* | 4:17 |
| B1 | Good Lord Written-By – D. Foley*Written-By – L. Stonebridge*Written-By – P. Beckett* | 6:45 |
| B2 | Mix Your Mind With The Moonbeams Written-By – P. Solley* | 6:00 |
| B3 | Watching The World Pass By Written-By – L. Stonebridge* | 9:33 |
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