Kerrs Pink

Introduction to Kerrs Pink's "Mellom Oss"

"Mellom Oss," the second studio album by Norwegian band Kerrs Pink, was released in 1981 under the label Pottittskiver. This album followed their self-titled debut, which came out in 1980. The band underwent lineup changes between these two releases, with drummer Tore Fundingsrud joining the group after the departures of guitarist Tore Johansen and drummer Terje Solaas.

Musical Style and Composition

The album blends rock elements with folk, country, and progressive rock influences. It features a variety of instruments, including electric piano, synthesizers, and vocals, providing a rich soundscape. The first side includes tracks like "Trostevise" and "Mellom Oss," which showcase the band's ability to merge melodic folk with more complex rock structures. The second side is dominated by a suite titled "Mens Tiden Forgar," which spans approximately 17 minutes. This suite consists of seven parts, each narrating aspects of the biblical story of Adam and Eve.

Track Highlights

Notable tracks include "Hvem Snakker Til Meg," a reflective piece that incorporates layered vocals and intricate guitar work. The suite "Mens Tiden Forgar" stands out with its thematic depth and musical variety. Each section, such as "Haven" and "Eva's Sang," presents a unique musical interpretation of the narrative, showcasing the band's compositional skills.

Production and Credits

The album's production was handled by Kerrs Pink, with engineering contributions from Harald Lytomt and Lars-Thore Lande. The lineup for this album features prominent musicians like Harald Lytomt on vocals and guitar, Jostein Hansen on vocals, guitar, and bass, and Tore Fundingsrud on drums. The songwriting is primarily credited to Haugerud, Lytomt, and Hansen, each contributing to the album's diverse sound.

Release Details

"Mellom Oss" was released in vinyl format, contributing to the era's music culture. The album reflects the band's exploration of musical themes and their evolving sound during the early 1980s. Kerrs Pink’s work during this period illustrates the dynamic nature of Norwegian rock and folk music.