Babylon

Discovering Babylon's Sole LP

In 1978, the progressive rock scene welcomed the emergence of a unique band from St. Petersburg, Florida. Babylon released their self-titled album, "Babylon," under the Mehum Music label. This album is significant as it is the band's only studio LP, which was independently financed and pressed in a limited quantity. Over the years, it has gained a near-mythical status among collectors of progressive rock vinyl.

Theatrical Frontman and Lyricism

Babylon is fronted by Doroccas, a theatrical vocalist known for his dramatic delivery and darkly philosophical lyrics. His vocal style draws comparisons to other notable figures in the genre, such as Peter Gabriel and Peter Hammill. The lyrics often delve into themes of science fiction and philosophical inquiries, setting a distinctive tone for the album.

Musical Composition

The album features a sophisticated blend of sounds that characterize American symphonic progressive rock. Listeners will notice influences from bands like Genesis, Van der Graaf Generator, and Gentle Giant. The dual-keyboard setup is prominent, featuring an Orchestron and various analog synthesizers. This creates a layered sound that is rich and intricate. The guitar work, reminiscent of Steve Hackett's style, adds angular melodies that complement the keyboards. Babylon's rhythm section, including Rick Leonard on bass and Rodney Best on drums, employs complex polyrhythmic shifts throughout the tracks.

Extended Compositions

Four extended compositions make up the core of the album. "The Mote In God's Eye" draws inspiration from the science fiction novel by Larry Niven and Jerry Pournelle. Other significant tracks include the 11-minute "Before The Fall," "Dreamfish," and the symphonic finale "Cathedral Of The Mary Ruin." These tracks showcase the band's ability to blend narrative and musical complexity, creating an immersive listening experience.

Production Details

The album was recorded at Mehum Studios in St. Petersburg, Florida, between 1977 and 1978. Jeff Lawrence served as the sound engineer, contributing to the album's unique sonic characteristics. The cover artwork was created by Frank Muys, Harobed Muir, and Steve Repetti, visually representing the themes explored in the music.

"Babylon" was released in 1978, catalog number Mehum Music 4641.