El Reloj

Exploring El Reloj's Ambitious Second Album

Released in 1976, "El Reloj II," also known as "Al Borde Del Abismo," is the second studio album by the Argentine rock band El Reloj. This album was released under the RCA Vik label with catalog numbers LZP-1300 and AVSL-4401. Hailing from Buenos Aires, El Reloj expanded their lineup for this release, adding a third guitarist, Carlos "Carlitos" Mira. This change introduced a powerful triple guitar dynamic to their sound, enhancing the complexity and depth of their music.

Musical Composition and Themes

The band delves deeper into progressive rock territory compared to their debut album. "El Reloj II" features intricate time signatures and classical elements, drawing significant influence from bands like Deep Purple and Yes. The album opens with "Al Borde Del Abismo," which sets the stage for a rich auditory experience. Tracks like "Tema Triste" and "La Ciudad Desconocida" showcase the band's ability to blend hard rock with more symphonic elements. The presence of Luis Valenti on Hammond organ and Moog synthesizer adds layers of sound that enhance the overall atmosphere.

Philosophical themes permeate the album, with Friedrich Nietzsche quotations featured on the sleeve, reflecting the band's intellectual approach to songwriting. The lyrical content often explores complex emotions and existential musings, creating a thought-provoking listening experience.

Production Details

The album was recorded at Estudios RCA in Buenos Aires, ensuring a local production that captured the essence of the Argentine rock scene. The cover artwork, illustrated by Horacio Fontova, complements the music's surreal and dramatic qualities. The album consists of eight tracks, culminating in the instrumental piece "Egolatría," which highlights the band's technical prowess and musical ambition.

El Reloj II is a significant entry in the catalog of Argentine rock music. It emphasizes the band's evolution and their commitment to pushing the boundaries of their genre. This ambitious work reflects the rich tapestry of 1970s rock, firmly placing El Reloj in the context of the era's progressive movements.

The album features a lineup that includes Fernando "Willy" Gardi on lead electric guitar and vocals, alongside Eduardo Frezza on lead vocals and bass guitar.