Flash

Exploring Flash's Second Album: In The Can

Released in November 1972, "In The Can" is the second studio album by British progressive rock band Flash. Formed by Peter Banks, who was a founding member of Yes, the band also features Colin Carter on lead vocals, Ray Bennett on bass and acoustic guitar, and Mike Hough on drums. This album came after Banks' departure from Yes and showcases a distinct musical direction.

Production Details

The album was produced by Derek Lawrence, known for his work with Deep Purple and Wishbone Ash. It was recorded during the summer of 1972 at De Lane Lea Studios in Wembley, London. The engineering team included John Acock and Louie Austin. The album's gatefold packaging was designed by the renowned Hipgnosis duo, Storm Thorgerson and Aubrey Powell, known for their innovative album artwork.

Musical Composition

"In The Can" consists of five tracks, showcasing the band’s progressive rock style. The opening track, "Lifetime," is a ten-minute epic that features Banks' intricate guitar work and ARP synthesizer elements. The album also includes "Monday Morning Eyes," which leans into melodic territory. The centerpiece is "Black And White," a twelve-minute suite that displays complex arrangements and musicianship. A brief drum interlude titled "Stop That Banging" provides a transition before the album culminates with "There No More," an expansive track lasting over eleven minutes.

Musically, the album is characterized by Banks' rapid guitar fretwork and the agile Rickenbacker bass lines from Bennett, reminiscent of Chris Squire's style. The vocal harmonies throughout the album add an additional layer to its sound, blending well with the intricate instrumentation.

Conclusion

Flash's "In The Can" was released under the Sovereign label with catalog number SVNA 7255. The album takes a deep dive into the realms of progressive rock, marking a significant moment in the band’s evolving sound.