Marsupilami - Arena (1971) | CLOCKWORK PEACH

Label: Transatlantic Records
Country: UK
Released: 1971
Format: Vinyl,LP,Album

Release Overview

"Arena" is the second studio album by the British progressive rock band Marsupilami, released in May 1971 under the Transatlantic Records label. This album, catalog number TRA 230, marks a significant point in the band's brief career, as it served as their conceptual magnum opus. The band hails from Taunton, Somerset, and consists of seven members, each contributing unique elements to the sound and narrative of the album.

Conceptual Framework

The album presents a sweeping narrative that explores the decadence and moral decline associated with the Roman gladiatorial games. This thematic approach serves as an allegory for contemporary society's political and ethical issues. The structure consists of five interconnected suites, beginning with "Prelude To The Arena" and culminating in the hopeful finale "Spring." The title track, "The Arena," spans eight minutes, immersing the listener in the album's central themes.

Instrumentation and Production

Marsupilami's sound is enriched by a diverse array of instruments. Leary Hasson's use of the Mellotron, Hammond organ, and tubular bells adds depth to the arrangements. The addition of Mandy Riedelbanch, a German multi-reedist, enhances the woodwind section alongside flautist Jessica Stanley-Clarke. The album was produced by Peter Bardens, known for his work with the band Camel, and engineered by Robin Sylvester at Sound Techniques Recording Studios in London.

Musical Exploration

The album features an elaborate mix of rock and symphonic elements, characteristic of the progressive rock genre. The musicianship displayed by Fred Hasson on lead vocals and harmonica, Dave Laverock on guitars, and Ricky Hicks on bass contributes to a rich sonic landscape. The percussion work by Mike Fouracre, along with guest contributions from Bob West, further complements the album's intricate arrangements.

Recording Details

"Arena" was recorded in November 1970, capturing the band at a pivotal moment in their artistic development. The album's gatefold vinyl format allows for a visually engaging experience, further enhancing the thematic elements presented in the music. The sleeve design was handled by Ray Feibush, contributing to the album's overall aesthetic.

The album was recorded at Sound Techniques Recording Studios in Chelsea, London.

Tracklist

A1	Prelude To The Arena Written-By – B. WestWritten-By – L. Hasson
A2	Peace Of Rome Written-By – B. WestWritten-By – L. Hasson
A3	The Arena Written-By – B. WestWritten-By – L. Hasson
B1	Time Shadows Written-By – B. WestWritten-By – F. HassonWritten-By – L. Hasson*
B2	Spring Flute – Mandy RiedelbanchWritten-By – D. LaverockWritten-By – F. HassonWritten-By – J. Stanley-ClarkeWritten-By – L. HassonWritten-By – M. FouracreWritten-By – R. Hicks*

Credits

Bass Guitar – Ricky Hicks*
Coordinator [Production Co-ordinator] – John Whitehead
Design [Sleeve Design] – Ray Feibush
Drums, Timpani, Percussion – Mike Fouracre
Electric Guitar, Acoustic Guitar, Guitar [Bowed], Percussion, Vocals – Dave Laverock
Engineer – Robin Sylvester
Flute, Vocals – Jessica Stanley-Clarke
Lead Vocals, Percussion, Harmonica – Fred Hasson
Liner Notes – Fred Wessels
Liner Notes – Jim Reveaux
Lyrics By, Voice, Performer [Large Mouth-piece] – Bob West
Organ, Piano, Electric Piano, Mellotron, Bells [Tubular Bells], Other [Fire Extinguisher] – Leary Hasson
Percussion, Other [A Lovely Guy] – Peter Bardens
Producer – Peter Bardens
Tenor Saxophone, Alto Saxophone, Percussion – Mandy Riedelbanch*