Pretty Things

Release Overview

In April 1967, The Pretty Things released their third studio album, "Emotions," under Fontana Records (catalog TL 5425 / STL 5425). This album marked a crucial transition for the band as they moved away from their raw British R&B roots into more experimental territories, blending elements of garage rock, psychedelic rock, and baroque pop. It was recorded at Olympic Sound Studios in London, fulfilling their final obligation to Fontana before shifting to EMI's Columbia label.

Musical Transition

The album features notable contributions from the band's primary songwriters, Phil May and Dick Taylor. Their songwriting began to incorporate imaginative themes and character-driven narratives, particularly evident in tracks like "Death Of A Socialite" and "Photographer." This shift aligns with the emerging psychedelic scene of the late 1960s, showcasing a more complex and layered approach to songwriting and instrumentation.

Production Choices

An interesting aspect of "Emotions" is its orchestration, which was added without the initial consent of the band. Producer Steve Rowland and arranger Reg Tilsley incorporated rich brass and lush string arrangements, enhancing the sound of several tracks. This decision reflects the era's trend of merging rock with orchestral elements, contributing to the album's distinctive feel. The integration of these arrangements created a contrast to the band's earlier, more straightforward sound.

Track Highlights

Among the twelve tracks, "There Will Never Be Another Day" and "Bright Lights Of The City" feature contributions from bassist Wally Waller, who co-wrote these songs. The album also introduces Jon Povey on keyboards and backing vocals, marking a shift in the band's lineup. Other standout tracks include "Growing In My Mind" and "Tripping," which explore the evolving musical landscape of the time.

Recording Context

The recording sessions for "Emotions" took place between late 1966 and early 1967. This timeframe was pivotal for The Pretty Things as they prepared for their subsequent project, the rock opera "S.F. Sorrow," which would further define their artistic direction. The album's fusion of styles set the stage for their future work.

In summary, "Emotions" serves as a crucial bridge in The Pretty Things' discography, marking their evolution in sound and songwriting. The album was recorded at Olympic Sound Studios in London.