På Väg
In 1973, Hoola Bandoola Band released their third studio album, På Väg, through the MNW label. This album, recorded in September of that year at MNW Studio in Waxholm, Sweden, showcases the band's blend of progressive folk-rock and progg music. The album was officially released in November 1973, under the catalog number MNW 40P.
På Väg features eight tracks, all composed by Mikael Wiehe. The songs reflect thoughtful socio-political narratives, often addressing contemporary issues. For instance, “Bogside” documents the Troubles in Northern Ireland and the events of Bloody Sunday, illustrating the band's engagement with pressing social matters. Each track is marked by rich acoustic-electric arrangements, blending folk-rock melodies with progressive elements.
The band consists of several key members: Mikael Wiehe provides vocals, guitars, soprano sax, and flute; Björn Afzelius contributes lead and backing vocals, guitar, and percussion; Peter Clemmedson plays lead and slide guitars and harmonica; while Povel Randén handles piano, trombone, and vocals. Arne Franck plays bass guitar, Per-Ove Kellgren is on drums, and Håkan Skytte adds percussion. The album also features guest musicians from Södra Bergens Balalajkor on the track “Jakten På Dalai Lama,” adding further depth to the sound.
Engineered by Anders Larsson, På Väg benefits from a well-crafted production that highlights the intricacies of each instrument and vocal harmony. The album cover, designed by Arne Franck and Peter Clemmedson, complements the music's themes and aesthetic. Photography by Gunnar Naeslund captures the band's essence, contributing to the album's visual identity.
Hoola Bandoola Band's På Väg includes eight tracks, all composed by Mikael Wiehe.
| A1 | Hugget Som Stucket | 2:55 |
| A2 | Jakten På Dalai Lama | 5:20 |
| A3 | Karins Sång | 4:20 |
| A4 | Danslåt För Yttrandefriheten | 4:30 |
| A5 | Bogside | 3:55 |
| B1 | Ingenting Förändras Av Sig Själv | 4:10 |
| B2 | Andersson & Co | 4:00 |
| B3 | När Man Jämför | 6:40 |
| B4 | På Väg | 2:35 |
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