Quarteto 1111
Quarteto 1111 is a self-titled debut album by the Portuguese band Quarteto 1111. Formed in Estoril in 1967, the band is recognized for their contributions to psychedelic rock, proto-progressive rock, and folk rock. The album was recorded at Valentim de Carvalho Studios in Paço de Arcos and released in 1970 by EMI (8E 062 40058).
The album was engineered by Jorge Hipólito and Mário Soares. The lineup includes José Cid on keyboards and vocals, playing acoustic piano, Hammond organ, harpsichord, and flute. António Moniz Pereira contributes lead guitar, 12-string guitar, bass, and vocals. Mário Rui Terra plays bass guitar and provides vocals, while Miguel Artur da Silveira handles drums and percussion.
Quarteto 1111 features eleven tracks that blend psychedelic pop-rock with stylistic influences from bands like The Moody Blues and Procol Harum. The album incorporates baroque keyboard elements alongside Portuguese folk melodies. The lyrics are notable for their social consciousness, addressing issues such as racial discrimination, slavery, the colonial war in Africa, and social poverty. This bold approach led to the album being banned and seized from record stores by the censorship apparatus of the Estado Novo regime (PIDE).
Significant tracks include "Domingo Em Bidonville," which vividly depicts social issues, and "Escravatura," which confronts the themes of slavery. The song "Uma Estrada Para A Minha Aldeia" reflects a longing for home, while "Maria Negra" draws on Portuguese folk traditions. Each track contributes to the album's diverse sound palette and lyrical depth.
Quarteto 1111 was released on vinyl as an LP in 1970.
| A1 | Prólogo | |
| A2 | João Nada | |
| A3 | Domingo Em Bidonville | |
| A4 | Uma Estrada Para A Minha Aldeia | |
| A5 | A Fuga Dos Grilos | |
| A6 | As Trovas Do Tempo Que Passa | |
| B1 | Pigmentação | |
| B2 | Maria Negra | |
| B3 | Lenda De Nambuangongo | |
| B4 | Escravatura | |
| B5 | Epílogo |
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