New Age

Exploring "Neptuned" by The New Age

"Neptuned" is the only studio album from the American band The New Age, released in 1980 on Microdot Records. This album stands out as a private-press rarity within the symphonic progressive rock genre. It was recorded at Stone Mountain Studios in Atlanta, Georgia, showcasing a blend of rock, space themes, and complex musical structures.

Band Lineup and Instrumentation

The New Age consists of a diverse lineup of musicians. Jordan Oliver leads with an array of instruments, including piano, Hammond organ, and synthesizers, and provides lead vocals. Kevin Young contributes electric violin and vocals, enriching the band's sound with soaring melodic lines. Randy Shuford plays both electric and acoustic guitars, while Kent Feilds handles bass guitar. Paul Malaspina adds texture with saxophone and harmonica, and Mac McNeilly, who later became known as the drummer for The Jesus Lizard, completes the group on drums.

Musical Composition and Themes

The album features seven tracks that explore cosmic and introspective themes. The music is characterized by virtuosic classical piano runs and lush analog synthesizer textures. The electric violin leads blend seamlessly with dynamic guitar solos, creating a rich auditory experience. Comparisons can be drawn to bands like Kansas and Emerson, Lake & Palmer, particularly in the way the compositions balance intricate arrangements with emotive melodies.

Track Highlights

Among the standout tracks is the title piece "Neptuned," which encapsulates the album's spacey themes and complex instrumentation. "I Ran" and "Dreams" also highlight the band's ability to merge progressive rock with symphonic elements. The track "Alpha Centaurus" features a particularly distinctive blend of musical styles that showcases the versatility of the band’s instrumentation.

Legacy and Availability

"Neptuned" is considered a collectible item for fans of the genre due to its limited release. The album's rarity and unique sound have made it a sought-after piece among progressive rock enthusiasts. It captures a moment in the late 1970s and early 1980s when private-press albums began to emerge, offering a diverse range of sounds outside mainstream music. The album is specifically cataloged as MD-101 by Microdot Records.