Pablo El Enterrador

Introduction to Pablo El Enterrador

Pablo El Enterrador is a progressive rock band formed in Rosario, Argentina, during the early 1970s. Their self-titled album, released in 1983 under RCA Victor, presents a blend of symphonic rock elements typical of the genre. This release, cataloged as TLP-50059, was recorded and mixed at Studios Edipo in Argentina.

Musical Composition and Style

The album features a rich instrumental arrangement, prominently showcasing the work of two keyboardists, Jorge Antun and Omar A. Lopez. They utilize instruments such as the Hammond organ and synthesizers, including the Minimoog and ARP Pro DJR, to create a layered and textured sound. The guitar work by Jose Maria Blanc, who also contributes vocals and bass, complements the keyboard arrangements effectively. The drumming by Marcelo Sali adds a solid rhythmic foundation, enhancing the album's overall dynamic.

Track Highlights

Tracks like "Carroussel De La Vieja Idiotez" and "Elefantes De Papel" exemplify the band's ability to combine intricate musical sections with thoughtful lyrics. The song "Ilusion En Siete Octavos" stands out with its unique time signature, showcasing the band’s experimental approach. The final track, "La Herencia De Pablo," serves as an extended piece that encapsulates the band's musical narrative.

Production Notes

The album's production was handled by Edipo Producciones, ensuring a polished sound that highlights the intricate arrangements and musicianship. The total running time of the album is approximately 41 minutes, making it concise yet substantial for a progressive rock LP.

Conclusion

Pablo El Enterrador's self-titled debut album reflects their roots in the progressive rock scene of Argentina. The work of Pablo El Enterrador was recorded at Studios Edipo in Argentina.