Crucis

Introduction to Crucis' Second Album

Crucis, an Argentine symphonic progressive jazz-rock quartet, released their second and final LP titled Los Delirios Del Mariscal in December 1976. This album, catalog number RCA Victor AVS-4491, reflects the band’s evolution towards a more instrumental format while maintaining a blend of jazz, rock, and progressive elements.

Recording and Production

The album was recorded at RCA Studios in Buenos Aires, Argentina, and mixed at Criteria Recording Studios in Miami, Florida. Sound engineer Jack Adams was responsible for the mixing, which contributed to the album’s high production quality. The cover artwork was crafted by Juan O. Gatti, while photography was done by Ada Moreno.

Musical Composition

Los Delirios Del Mariscal features four extended tracks that highlight the band's musicianship. The opening track, "No Me Separen De Mi," is vocal-led and sets the stage for the instrumental journey that follows. The title track, "Los Delirios Del Mariscal," is a 10-minute symphonic piece characterized by intricate arrangements. "Pollo Frito" introduces a jazz-funk-rock dynamic, while the centerpiece, "Abismo Terrenal," is an epic 12-minute instrumental exploration.

Musical Influences and Style

The album showcases the guitar work of Pino Marrone, whose style draws comparisons to notable guitarists like John McLaughlin and Allan Holdsworth. Aníbal Kerpel’s use of synthesizers, including the Mini Moog and ARP Solina, adds depth to the arrangements. The rhythm section, composed of Gonzalo Farrugia on drums and Gustavo Montesano on bass and vocals, provides a strong foundation that complements the band’s complex musical tapestry.

Conclusion

Los Delirios Del Mariscal was released in December 1976 and remains a notable entry in the Argentine progressive rock scene.