Clark Hutchinson

Album Overview

Released in 1970, "Retribution" is the second studio album by British band Clark Hutchinson. This album marks a transition from their original duo format to a four-piece band, which includes Mick Hutchinson on lead guitar, Andy Clark on lead vocals and keyboards, Stephen "Amazing Stephen" Amazing on bass guitar, and Del Coverley on drums and percussion. The album was recorded at Recorded Sound Studios in London and issued by Decca's progressive label Deram with catalog number SDL 4.

Sound and Style

"Retribution" shifts away from the instrumental raga-rock of their debut album and dives into a heavier sound characterized by blues rock and acid rock influences. The music is dominated by Hutchinson's roaring fuzz guitar leads and gritty vocals. The rhythm section delivers a pounding backdrop, drawing comparisons to bands such as Cream, Jimi Hendrix, The Groundhogs, and Black Sabbath. The album features five tracks that explore various musical landscapes, from the heavy psychedelic anthem "Free To Be Stoned" to the 10-minute slow-blues workout "After Hours."

Production Details

The album was produced by Clark Hutchinson themselves, with engineering by Eric Holand and John Stewart. The sleeve design was handled by the Decca Record Publicity Art Department, while printing was done by Senol Printing Ltd. This level of attention to detail in production reflects the band's commitment to both their sound and visual presentation.

Track Highlights

Among the standout tracks, "In Another Way" and "Best Suit" showcase the band's ability to blend heavy riffs with progressive elements. The album culminates with the dark, progressive piece "Death, The Lover," which serves as a striking conclusion to the listening experience. Each track contributes to the album's overall narrative and musical journey.

Release Format

"Retribution" was released as a vinyl LP, a popular format for music at the time. The album's physical presentation aligns with the era's trends, allowing listeners to fully immerse themselves in the music. Vinyl records were known for their rich sound quality, which complements the heavy, textured arrangements present in this album.