11.59

Overview of 11.59's Debut Album

"This Our Sacrifice Of Praise," released in 1974, is the only studio album by British band 11.59. The group, formed in the early 1970s, draws its name from the metaphorical Doomsday Clock, reflecting a sense of urgency and depth in their music. Released under Dovetail Records, this album is a blend of psychedelic rock and progressive folk, enriched with spiritual themes rooted in the Biblical Book of Psalms.

Musical Composition and Arrangement

The album features a rich tapestry of sounds, largely due to the creative input of its members. Andy Kinch plays the Mellotron and organ, creating atmospheric layers that characterize much of the album's sound. His use of the glockenspiel and 12-string acoustic guitar adds a shimmering quality to the arrangements. Peter Poyser complements this with his contributions on grand piano and lead electric guitar. The combination of instruments, including the autoharp and cascading piano, contributes to a unique, immersive listening experience.

Vocal harmonies are a significant aspect of the album. Rose Harding and Peter Richmond provide lead and backing vocals, enhancing the multi-dimensional aspect of the music. John Harding also contributes with both acoustic guitar and vocals, adding to the album's cohesive sound. The production is credited to the band themselves, reflecting their artistic vision.

Thematic and Lyrical Content

The lyrics throughout the album draw heavily from various Psalms, presenting a spiritual narrative that aligns with the band's Christian roots. Tracks such as "The Earth Is The Lord's (Psalm 24)" and "Hallelujah Jesus! (Psalm 100)" serve as both musical pieces and lyrical expressions of faith. The blending of acid-folk arrangements with these spiritual texts creates a unique dichotomy that appeals to both folk and rock listeners.

Recording Details

"This Our Sacrifice Of Praise" was recorded at Westwood Studios in Paddock Wood, Kent, in 1974. The studio setting allowed for an intimate recording process, which is evident in the album's organic sound. The band utilized environmental field recordings to enhance the atmospheric quality of the music, immersing the listener in a serene yet thought-provoking experience.

Conclusion

The album was released on vinyl under the catalog number Dovetail DOVE 4. It serves as a distinct entry in the realm of 1970s British music, particularly within the psychedelic and progressive folk genres.