Mike Absalom

Introduction to Mike Absalom

Mike Absalom is the self-titled debut album by English folk singer-songwriter Mike Absalom. Released in 1971 by Vertigo Records, this album marked a significant moment in the contemporary folk scene of the UK. The album features a rich array of narratives woven into its acoustic fabric, reflecting the counterculture of the time.

Production and Design

The album was produced by Patrick Campbell-Lyons, a co-founder of the 1960s band Nirvana UK. Campbell-Lyons discovered Absalom while he was busking at the South Kensington tube station in London. The album's packaging is particularly noteworthy. It features an elaborate 6-panel fold-out poster sleeve designed by Roger Dean, known for his intricate artwork. This design presents a satirical illustrated guide and map of the Notting Hill Gate underground counterculture scene.

Musical Style and Themes

Musically, the album is rooted in folk, with elements of world and country influences. Absalom's songwriting blends wit and dark humor, creating narratives that are often bawdy and surreal. The lyrics explore themes such as counterculture drug busts, eccentric London characters, and the darker side of British life. Tracks like "Saga Of John The Bog" and "Don't Tell It On The Telephone" exemplify his storytelling ability. Each song offers a glimpse into the social dynamics of the early 1970s.

Track Exploration

While the album contains ten distinct tracks, each contributes to a cohesive exploration of contemporary issues through the lens of folk music. The narratives range from the comedic to the serious, showcasing Absalom's versatility as a songwriter. Songs such as "Gaza Striptease" and "Saga Of Ernie Plugg's Bust" highlight his satirical edge, while others like "It Must Be Spring" offer a more introspective take.

Release Details

Mike Absalom's debut album was released on the Vertigo "swirl" label, catalog number 6360 053. The combination of its thoughtful production, unique artwork, and engaging storytelling makes it a significant entry in the folk genre of the early 1970s.