After All

Introduction to After All

After All, a rock band from Tallahassee, Florida, released their self-titled album in 1969. This LP, catalog number Athena Records 6006, stands out as their only studio effort. The record captures the essence of the psychedelic and proto-progressive rock movement of the late 1960s.

Recording and Production

The album was recorded at Athena Recording Studios in Brentwood, Tennessee, within a span of just a few days. Producers Rick Powell and Tom Brannon helmed the project, ensuring that the distinct sound of the band was effectively captured. The recording sessions were notable for their intensity and focus, resulting in a polished yet raw sound.

Musical Composition

After All's music features a blend of heavy organ psych, fuzz guitar riffs, and jazz-influenced drumming. Alan Gold's use of the Hammond organ provides swirling, distorted textures reminiscent of bands like The Doors and Procol Harum. Charles Short’s guitar work complements these layers with both lead and rhythm parts that drive the compositions forward. Bill Moon and Mark Ellerbee add depth with their bass lines and vocal harmonies, creating a rich auditory experience.

Lyrical Themes

The album's lyrics, penned by Linda Hargrove, reflect a poetic sensibility that enhances the music's overall impact. Hargrove, a local poet from Florida, would later gain recognition as a successful Nashville songwriter. Her words touch on themes of longing and introspection, aligning with the psychedelic ethos of the era.

Track Highlights

The album opens with the seven-minute track "Intangible She," which sets a contemplative mood. Another standout is "Nothing Left To Do," an extended jam that showcases the band's improvisational skills. Other tracks like "Blue Satin" and "Let It Fly" further explore the band's sound, blending various rock influences seamlessly.

Conclusion

After All's self-titled album was released in 1969, making it a product of its time in the evolving landscape of rock music.