Stardrive

Exploring "Stardrive" by Stardrive Featuring Robert Mason

"Stardrive" is the second studio album by the American electronic space-funk and progressive rock group Stardrive, featuring Robert Mason. Released in 1974 under Columbia Records (catalog KC 33047), this album follows their debut "Intergalactic Trot." The production was led by Don DeVito, known for his work with significant artists like Bob Dylan and Miles Davis.

The Sound of Innovation

This album is recognized for its innovative use of synthesizers. Robert Mason utilized a custom-built polyphonic synthesizer system, which was one of the earliest of its kind. This system was ahead of its time, predating more commonly known models like the Prophet-5 and Jupiter-8. Alongside analog ARP and Moog synthesizers, Mason created a unique sound that blends heavy funk grooves with progressive rock elements.

Track Highlights

The opening track, "Funkascensions," sets the tone with its strong space-funk rhythm. It is followed by "Ballad I," an ambient interlude that provides a serene contrast. Tracks like "Jupiterjump" and "Air Sauce" highlight the uptempo rock influences and intricate arrangements typical of the era. The album closes with "Journey," an expansive electronic piece that encapsulates the cosmic themes present throughout the work.

Musical Lineup and Production

The lineup includes Robert Mason on custom polyphonic synthesizers, Harvey Sarch on electric and acoustic guitars, Jaime Austria on electric bass, and Howard Rego on drums and percussion. The recording took place at Columbia Recording Studios in New York City, emphasizing a collaborative effort in a leading recording environment. Mixing was handled by Don Meehan, contributing to the polished sound of the album.

A Glimpse into the Era

"Stardrive" captures the essence of the 1970s music scene, bridging the gap between funk, rock, and electronic music. The album reflects the experimentation and exploration of sound that characterized the period. Its eight tracks traverse various musical landscapes, making it a valuable artifact of its time.

The album features a significant usage of custom polyphonic synthesizers, a technology that was cutting-edge in 1974.