The Wake
Released on June 3, 1985, The Wake is the second studio album by the British neo-progressive rock band IQ. The album was issued by Sahara Records under catalog number SAH 136. This release marked a significant moment for the band, achieving a peak position of No. 72 on the UK Albums Chart.
The Wake is a conceptual album that delves into themes such as mortality, childhood memories, and the afterlife. The lyrics and music combine to create a narrative that engages listeners on multiple levels. The album’s structure allows for a fluid exploration of these themes through its varied track lengths and styles.
The sound of The Wake is characterized by a blend of analog and digital instrumentation. The band's guitarist, Mike Holmes, employs a variety of electric and acoustic guitars, including a Gibson Firebrand and a Fender Stratocaster, to craft rich textures. Martin Orford contributes significantly with his extensive use of synthesizers. Instruments like the Yamaha DX7 and the Memorymoog are prominent throughout the album, alongside the Mellotron, which adds a lush, orchestral quality to the arrangements.
Side A opens with the eight-minute track "Outer Limits," which sets the tone for the album. The title track, "The Wake," follows with a driving rhythm and engaging melodies. The experimental "Corners," featuring guest tablas, showcases the band's willingness to explore different musical landscapes. Side B includes the nine-minute epic "Widow's Peak," which continues the album's thematic journey. The closing track, "Headlong," wraps up the experience with a powerful finish.
The album was co-produced by band members Mike Holmes and Tim Esau. Other key contributors include Peter Nicholls, who provided lead vocals and visual concepts, and Paul Cook, who handled drums and percussion. The sound engineering was managed by Harun Coombes, with Jonathan Miles assisting. The cover photography was done by George Bodnar, adding a visual dimension to the album's conceptual themes.
The recording sessions took place in early 1985, capturing the band's evolving sound at a critical juncture in their career. The combination of various instruments and production techniques contributed to a distinctive sound that set the stage for IQ's future releases. The Wake remains a significant effort in the context of 1980s progressive rock.
The album features instruments such as the Yamaha DX7 and the Mellotron, showcasing the band's diverse musical palette.
| A1 | Outer Limits | 8:29 |
| A2 | The Wake | 3:50 |
| A3 | The Magic Roundabout | 6:33 |
| A4 | Corners | 6:22 |
| B1 | Widow's Peak | 9:10 |
| B2 | The Thousand Days | 4:00 |
| B3 | Headlong | 7:27 |
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