Octobre

Overview of Clandestins

Released in 1980 by Kébec-Disc, "Clandestins" is the fifth studio album from the Quebec progressive rock band Octobre. The album was recorded at Studio Tempo in Montreal, with production handled by Ian Terry. It features a lineup that includes Pierre Flynn on lead vocals and various instruments, Jean Dorais on electric guitar, Mario Légaré on bass and lead vocals for one track, and Pierre Hébert on drums. They are complemented by Gérard Leduc, who contributes saxophones and keyboards.

Musical Transition

With "Clandestins," Octobre transitioned from their earlier symphonic rock sound to a style that incorporated elements of new wave. The music is characterized by a punchy, direct approach, featuring sharp brass accents that mark a departure from their 1970s work. This change reflects broader trends in rock music during the early 1980s, as bands began to integrate more concise and rhythmic elements into their compositions.

Track Highlights

The album's first side includes tracks such as "Pour Te Retrouver" and the title track "Clandestins." The latter serves as a centerpiece for the album, showcasing the band's dynamic range. Another highlight is "Chanson-Parenthèse," an acoustic ballad performed by bassist Mario Légaré. The second side continues the exploration of various themes, with songs like "Prière D'asphalte" and the atmospheric closer "Le Bout De La Ligne," which encapsulates the band's evolving sound during this period.

Recognition and Legacy

"Clandestins" received a nomination for Rock Album of the Year at the 1981 ADISQ Gala, reflecting its impact within the Quebec music scene. The album marked the final chapter in Octobre's discography before the band disbanded in 1982. The production choices and musicianship displayed on this record highlight the band's artistic growth and experimentation.

Technical Details

The album is cataloged under KD-502 and was released in vinyl LP format. It features contributions from various musicians, including Roger Walls on trumpet and Gary Nagels on trombone, further enriching the album's sound. The production took place in an era when progressive rock was navigating new influences and stylistic shifts.