La Máquina De Hacer Pájaros

Introduction to La Máquina De Hacer Pájaros

La Máquina De Hacer Pájaros is the self-titled debut album of the Argentine progressive rock supergroup of the same name. Released in November 1976 by Talent / Microfón (catalog SE-663), this album marked a new chapter for its members, particularly for Charly García, who had just concluded his work with Sui Generis. The group includes notable musicians like Carlos Cutaia, Gustavo Bazterrica, José Luis Fernández, and Oscar Moro, all of whom have made significant contributions to the Argentine rock scene.

Musical Composition and Style

The album features a dual-keyboard arrangement that highlights the intricate musicianship of García and Cutaia. García plays the acoustic piano, Fender Rhodes, ARP synthesizers, and Clavinet, while Cutaia handles the Hammond organ, Mellotron, and additional keyboards. This combination creates a rich sound that draws inspiration from bands like Yes and Genesis, bringing symphonic progressive rock into the Argentine music landscape.

La Máquina De Hacer Pájaros consists of seven tracks that explore various musical styles. The opening track, "Bubulina," sets an ambitious tone with its sweeping melodies. The second track, "Como Mata El Viento Norte," incorporates folk elements, showcasing the band's versatility. "Boletos, Pases Y Abonos," composed by Pino Marrone, introduces a jazz-infused progressive sound. Other tracks like "No Puedo Verme Más" and "Rock" further illustrate the band's eclectic approach. The album culminates with the 11-minute epic "Ah, Te Vi Entre Las Luces," which showcases the band's technical prowess.

Recording and Production

This album was recorded at Estudios Ion in Buenos Aires, Argentina. The sound engineering was handled by Alejandro Torres and Osvaldo Acedo, who captured the band's complex arrangements and dynamic performances. The cover illustrations were created by Cristóbal Reinoso, known as Crist, while the design was managed by Juan Oreste Gatti. The collaborative effort behind the album reflects the significant talent involved in its production.

Conclusion

La Máquina De Hacer Pájaros is recognized for its innovative sound and intricate compositions, featuring a blend of rock and symphonic elements. The album's release in 1976 marked a key moment in Argentine progressive rock history.